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Excerpts from an article (Charta,
October 4, 1988, New York) written by Keith Haring regarding the
collaborations between Jean Michael Basquiat and Andy Warhol.
Jean Michael (Basquiat) and
Andy (Warhol) were from different generations and different sociological
backgrounds. They had radically different painting styles and equally
different aesthetics. They were at different stages of their lives and
different levels of their own development.
The most important and most delicate
relationship he (Andy Warhol) can have with another artist is one which
he is constantly challenged and intimidated. This is probably the only
productive quality of jealousy. The greatest pleasure is to be provoked
to the point of inspiration.
Jean Michael and Andy had achieved
a healthy balance. Jean respected Andy’s philosophy and was in awe of
his accomplishments and mastery of color and images. Andy was amazed by
the ease with which Jean composed and constructed his paintings, and was
constantly surprised by the never-ending flow of new ideas. Each one
inspired the other to outdo the next. The collaborations were seemingly
effortless. It was a physical conversation
happening in paint instead of words. The sense
of humor, the snide remarks, the simple chit-chat all happening with
paint and brushes. I visited them at the factory several times while
they were painting together. The atmosphere was playful and intense at
the same time. There was a sense that one was watching something being
unveiled and discovered for the first time. Andy was intrigued and
intimidated at the same time. It seemed to push him to new heights.
Painting with Jean Michael was not
easy. You had to forget any preconceived ideas of ownership and be
prepared to have anything you’d done completely painted over in within
seconds. It was kind of a total abandon which requires total trust and
respect. It was truly an event. They worked on many canvases at the same
time, each idea inspiring the next. It was exciting to visit the Factory
at this time.
The quality of the paintings mirror
the quality of the relationship (between the artists). The sense of
humor that permeates all of the works recalls the laughter which
surrounded them while they were being made. They are truly the invention
of what William S. Burroughs called The Third Mind – two amazing
minds fusing together to create a third, totally separate and unique
mind.
These words written by Keith Haring
reflect on the possibilities that can occur when creative minds exchange
energies. This experience will be challenging, inspiring, and
rewarding.
Steve Horvat
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